malfunction: the human residue

The concept for malfunction: the human residue evolved from this study. It marks the beginning of an exploration of human nature in a world characterised by technological efficiency.






Rotating the subjects serves to create a sense of alienation: portraits become topography. The focus is less on personality and more on the archetype and the human condition itself.






I decided to switch from canvas to wood so that the technical aspect would be reflected visually.






Experiments with underpaintings.